Issue 30
Issue 30
$10.00
To lean into the spill, to step outside of dominant structures, we must trust that another world is possible. …Here, the idea of the spill becomes revolutionary—the spill is a refusal to conform, a denial of rigid systems, and a pathway into another mode of being.
–Lindsay Preston Zappas
Founder & Editor-in-Chief
Quantity:
Opacity and the Spill
The Photographs of
Clifford Prince King, Shikeith,
and Paul Mpagi Sepuya
–Allison Noelle Conner
Andrea Bowers
An Ethos of Resistance
–Jessica Simmons-Reid
Lumbung in Los Angeles
–Julie Weitz
Interview with
Amia Yokoyama
–Yves B. Golden
L.A. Harvest
–Photos: Paloma Dooley
Reviews
Kaari Upson
at Sprüth Magers
–Isabella Miller
Nadia Lee Cohen
at Jeffrey Deitch
–Erin F. O'Leary
Wendy Park
at Various Small Fires
–Neyat Yohannes
Paul McCarthy
at Hauser & Wirth
–Janelle Zara
L.A. Memo: Chicana/o
Art from 1972–1989
at LA Plaza de
Cultura y Artes
–Rosa Tyhurst
(L.A. in Venice, Italy)
Kelly Akashi
at Barbati Gallery
–Vanessa Holyoak
Opacity and the Spill
The Photographs of
Clifford Prince King, Shikeith,
and Paul Mpagi Sepuya
–Allison Noelle Conner
Andrea Bowers
An Ethos of Resistance
–Jessica Simmons-Reid
Lumbung in Los Angeles
–Julie Weitz
Interview with
Amia Yokoyama
–Yves B. Golden
L.A. Harvest
–Photos: Paloma Dooley
Reviews
Kaari Upson
at Sprüth Magers
–Isabella Miller
Nadia Lee Cohen
at Jeffrey Deitch
–Erin F. O'Leary
Wendy Park
at Various Small Fires
–Neyat Yohannes
Paul McCarthy
at Hauser & Wirth
–Janelle Zara
L.A. Memo: Chicana/o
Art from 1972–1989
at LA Plaza de
Cultura y Artes
–Rosa Tyhurst
(L.A. in Venice, Italy)
Kelly Akashi
at Barbati Gallery
–Vanessa Holyoak